"Life is full of changes — some we choose, some we don’t."
Change is never just logistical—it’s personal. When Microsoft asked us to help Wunderlist users transition to Microsoft ToDo, we saw the real challenge: this wasn’t just about moving data; it was about moving people.

Wunderlist had become more than an app. It was part of daily routines, a quiet companion in people’s lives. Ignoring that connection would mean losing trust. Acknowledging it meant we had a chance to make this transition feel less like an ending and more like a step forward.

Instead of selling a replacement, we told a story—one that met users where they were, understood their hesitation, and helped them see change in a new light.
Comissioned Work | Microsoft | 2019 | Creative Direction & Artist
Collaboration was key. Microsoft didn’t just hand us a brief; they were in the trenches with us.
We built on the storytelling framework we’d developed in our last collaboration: clean, abstract visuals paired with metaphors that do the heavy lifting. This time, we pushed further—more depth, more nuance, more honesty.

The story followed a family facing a big move. The mother saw opportunity. The daughter saw loss. The father, caught in between, found a way to reframe change as something empowering. A simple story, but one that mirrored the emotional arc of switching from a familiar tool to something new.

Visually, we kept the refined simplicity but expanded the possibilities—richer colors, a more dynamic background, and interactions between shapes that felt organic, intentional, alive. The animation carried weight without losing warmth.

Collaboration was key. Microsoft didn’t just hand us a brief; they were in the trenches with us. Workshops, studio visits, constant iteration—the process was as much about understanding the users as it was about designing the visuals.
The response spoke for itself. People saw themselves in the story. They related, they engaged, they felt understood. That was the real success—not just guiding users to Microsoft ToDo, but doing it in a way that respected what Wunderlist had meant to them.



Creative Direction◗ Christian Zschunke Artists◗ Ignas Blazys, Philipp Brates, David Weidemann, Christian Zschunke, Saskia Kretzschmann Producer◗ Timo Seegräber
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2025 | comissioned work
Beauty is deeply personal, yet there’s something about it that brings us together. We all respond to it, even if we can’t explain why. That’s the idea behind this temporal sculpture created with Zeiss.
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Philosophy
Creative work isn't about sounding smart. It's not about chasing whatever's trending or performing genius for people who aren't paying attention anyway.

It's about saying something real, in a way that actually lands.

Collaboration is harder than people admit. It means bringing your actual ideas to the table, not the polished version you think people want to hear. It means asking dumb questions. It means ego is the enemy — not in a poster-quote way, but in a practical, this-project-is-going-to-suffer way.

Mistakes aren't failures. I know that's become a cliché, but it's still true. Some of the best decisions I've made started as accidents I didn't want to admit to.
The imperfections aren't the thing you fix before you ship — sometimes they're the whole point.

If something doesn't serve the idea, cut it. Doesn't matter how long it took or how clever it is. The work should feel inevitable, not assembled.

Curiosity is the only thing that keeps this from getting stale. The moment I think I've figured out how to do something, the work starts to die a little. Standing still feels safe. It isn't.

If we're not enjoying it at least some of the time, something's wrong — with the brief, the process, or both. Worth finding out which.